.hover-rotate {  overflow: hidden;  min-width: 240px;  max-width: 320px;  width: 100%; } .hover-rotate img {  transition: all 0.3s;  box-sizing: border-box;  max-width: 100%; } .hover-rotate:hover img {  transform: scale(1.3) rotate(5deg); }   

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*spelling corrections may apply,    subject to (my & your) interpretation....          




a.




Argos catalogue  
  1. a portal to potential,  everything you desire and didnt know exisited.  you could peruse idly through,  the sliding of the plastic lamanated pages until you see the  thing you’re waiting for.  Or refer to the extensive conents page or even the more specific index. scroll for your pages numbers life the weighty pile of pages, turning them over with a descisive slam
  2. see examples of early versions  here



asterisk      
[ as-tuh-risk ]
/ ˈæs tə rɪsk /


Origin of asterisk - 1350–1400; Middle English < Late Latin “asteriscus” < Ancient Greek “asterískos”  ἀστερίσκος, "little star"

  1. By putting * (an asterisk) or informally a star around a word you are emphasising or stressing it. In some computer programs or applications, if you type an asterisk it will be automatically changed to bold font. For example, *important* would be displayed on screen as important.
  2. something to add, see other... eg.                                                    subject to change



awry
[ uh-rahy ]
/əˈrʌɪFirst recorded in 1325–75, awry is from Middle English on wry. See a wry

  1. turned or twisted to one side. off the right course, askew
  2. away from the expected or proper direction; amiss; wrong

b.


Bibendum
 [Bih - ben- dum]
/bibɛ̃dɔm/


    1. Commonly referred to in English as the Michelin Man or Michelin Tyre Man, is the official mascot of the Michelin tyre company. A humanoid figure consisting of stacked white tyres, it was introduced at the Lyon Exhibition of 1894 where the Michelin brothers had a stand. He is one of the world's oldest trademarks still in active use. The slogan Nunc est bibendum ("Now is the time to drink") is taken from Horace's Odes (book I, ode xxxvii, line 1).

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    g.




    garbs   
    [ garbz ]
    / gahrbz/



      Late 16th century: via French from Italian garbo ‘elegance’, of Germanic origin; related to ‘gear’
      1. a fashion or mode of dress, especially of a distinctive, uniform kind:
      2. elements of clothing, the wearing.
       gubbins
      [guhb-binz]
       /ɡʌbɪnz /
      Late 16th century: via French from Italian garbo ‘elegance’, of Germanic origin; related to ‘gear’
      1. functioning as singular a small device or gadgets
      2. the working inner objects, cables and wires,  

      h.

      i.



      italic
      [ ih-tal-ik ]
      / ɪˈtæl ɪk/




      origin 1555–65; < Latin Italicus < Greek Italikós, equivalent to Ital ( ía ) Italy + -ikos -ic

      designating or pertaining to a style of printing types in which the letters usually slope to the right, patterned upon a compact manuscript hand, and used for emphasis, to separate different kinds of information, etc.:
                                     These words are in italic type.


      1.  used for emphasis or contrast
      2. defines a part of text in an alternate voice or mood

      j.